Sunday, September 19, 2010

My Legacy!?


Shannon started off the blog chain with this question:

Imagine this: when you're gone, readers will remember your writing most for just one of these things: your characters, your plots, your settings, or your style. Which one (only one!) would you prefer over the rest? Why?

Okay, wow.

Right?

I mean any question that begins with "when you're gone" is a pretty big question already. But then even once I've wrap my head around the whole dead and gone thing, I also have to imagine that at some point before I've shuffled off this mortal coil - not only will I be published, but that this book or books will also be remembered as being good for something other than lining the bird cage.

I gotta say this question makes all the self-doubt parts of my brain light up like a pinball machine.

But let's put that aside.

And let's also not think about the fact that no matter how much I love books, (so much so that once again - after I'm gone - if someone did the math they would calculate that I'd probably spent a good quarter of my life inside of them) I am not very good at specifically remembering each individual one. The ones I love - I remember bits and pieces. The ones I really hate - I remember bits and pieces. Most though fall into the middle, and those I pretty much forget completely.

But (not to get all philosophical on you here, I mean really, this is a pretty simple question and I'm here turning it into this whole existential what's gonna be left of me after I die whole big dramatic thing. sorry, i get that way sometimes.) maybe it's more than what's remembered or forgotten. And more than writing a book that's treasured instead of sold at the next garage sale - or in this new digital age - maybe it would just be deleted out of existence (deleted out of existence? that's a bit much, right? I know, bring mortality into the equation and suddenly it's all over-the-top statements and quoting Hamlet. again, I apologize.)?

Maybe it's about what Shannon (who I would not blame if she is right now rolling her eyes and saying a heartfelt "oye" at where I have dragged her truly excellent question.) wrote about in her post about getting lost in books. And getting lost is what I love about reading. For Shannon it was setting - being able to take someone to another place. But for me, I need to get out of my own head. My own head gives me headaches (if you are still reading this post, you might be getting one too.). Books put me in someone else's head. In someone else's life.

And I guess that after all this my answer is actually quite simple (it usually is once you dig past all the nonsense). Characters. I want my characters to be my legacy. Even if they're not really remembered at all, in the moment, when the words - whether on paper or screen - are in front of your eyes, I want my characters to be alive... even after I'm not.

So what about you? Ready to contemplate your own epilogue? What would you have your written legacy be?

And to keep following this blog chain (which if it's true what they say about things you post on the Internet being there forever, this chain will still be here long after we're gone. geez talk about a legacy.) please check out Amanda's blog next.

Sunday, September 12, 2010

Genre Jumping



This time on the blog chain Margie started off with a question about genres.

How did you come to write your YA genre (e.g. contemp, fantasy, etc.)? AND (yep, it’s a 2 parter), if you weren’t writing that, what genre would you be interested in exploring?

As I've mentioned before, I've already played around with a few different genres.

My first novel was a contemporary romance. Why? Because I've been devouring romance novels since eighth grade. The biggest influence in writing my contemporary romance was Susan Elizabeth Phillips, a contemporary romance novelist whose books I re-read on a regular basis. Also, at the time I was also reading a lot of chick lit, and elements from those books worked their way in as well. Unfortunately, I think my influences sometimes manifested themselves as imitation - and this ultimately hurt the book. However, I have two other contemporary romances that I began and abandoned in a file folder somewhere. Someday I'd like to hunt them down and give this genre another go.

My second novel was an urban fantasy. And genre wise, it's actually not that big of a change from contemporary romance. Like my contemporary romance this book had romantic entanglements - just no happily ever after. And the setting was the same modern world... except with a few demons thrown in for flavor. My biggest influence here was Buffy The Vampire Slayer. And all things Joss Whedon.

And now, I am working on a young adult urban fantasy. Again, not that far of a jump. Still in an urban fantasy world, just with a younger protagonist. It was really the idea I had for this one that demanded the young adult genre. For me, it wasn't Harry Potter or the Twilight series that brought me back to the YA genre as an adult (I'm actually not a huge fan of either of those series). I actually found my way back to YA in my early twenties, when I was in that section of the library picking out a book for my youngest sister. Turns out, she have any interest in reading the book, but I did. The book was, A Killing Frost by John Marsden - the third in his Tomorrow series. I ended up hunting down the entire series at the library, and then everything else he had written, and after that YA books were regularly rotated into my reading queue.

As for other genres I might write in... well, I don't know. I'm actually pretty happy with these three, but I also wouldn't rule anything else out. Who knows there might be a Western lurking somewhere at the far reaches of my mind... but I doubt it.

What about you? Are you true to one genre, or do you also like to play the field?

And make sure to keep following this chain. Shannon's daily pie post was before mine and Amanda will be up next.

Monday, August 30, 2010

All Joy No Fun


The blog chain has swung it's way back around to me once more. This time Eric started things off with this question:

What do you find to be the most challenging aspect of being a writer? What is your greatest reward from writing?

The most challenging aspect? Singular? As in I can only pick one thing? If this was a multiple choice question instead of essay, I wouldn't even have to look at the options. It doesn't matter if it's listed with

A. lack of confidence
B. rather lonely sometimes
C. finding time
D. motivational issues
E. staying focused
F. ideas needed
G. not getting discouraged

Oh, I could go on and one and on. An multiple choice that goes through the entire alphabet until we get to Y. and Z. Those would be the ultimate multiple choice options of:

Y. None of the above
Z. ALL of the above

And right there. Z. That's me. I'd fill that little scantron circle in so hard that the lead on my number two pencil would snap.

The most challenging aspect of being a writer for me, is well, being a writer.

Okay, yes, that sounds a little - or maybe a LOT - negative. But it isn't, not really. Because challenges aren't always bad. Nothing about writing comes easy, but maybe that's part of the reason why I keep doing it.

I think my attitude towards writing is best summed up by a recent article from New York Magainze. It was entitled: ALL FUN, NO JOY. The article isn't actually about writing, but rather about parenting. The subtitle is: Why Parents Hate Parenting. Still, I could easily change the headline to: Why Writers Hate Writing.

The article discusses the studies that have been done showing that couples without children are happier than those with children. There is a lot of talk in the article about the nature of parenting, the inherent difficulties, etc. However, what I really found compelling was when it questioned what happiness really is. Data for these studies was gathered by asking parents on a moment by moment basis throughout their day if they were at that exact moment happy.

Now I think almost anyone can imagine the reaction to being asked if they are happy while in the midst of - changing a diaper, or handling a tantrum, or telling a child for the 5 thousandth time to please pet the dog gently, or one of the other endless not super fun tasks of parenting. I can only imagine the harried parents being interviewed screeching back, "AM I HAPPY!?!?! AM I HAPPY!??!"

And yet despite this apparent lack of happiness, people say if they could do it again - they'd still have that one - or even multiple - children. The author of the article argues that maybe happiness is more than something we feel on a moment by moment basis. That perhaps there is a deeper happiness that comes from having having a purpose and being rewarded by working towards something - whether that something be raising a happy healthy person, or writing a brilliant book. In this odd way the challenges that make us miserable in the moment may actually make us happier in the end.

So, to sum things up. Writing, being a writer, that is my greatest challenge. And it is also my greatest reward.

What about you? Is writing a challenge? A reward? Or something else?

And to keep up with this chain you can find Shannon's entry before mine and Amanda's tomorrow.

Tuesday, August 3, 2010

What's Up?


Cole came up with the question for out latest round on the blog chain and it is:

Are you querying? Gearing up to go on submission? Writing? Revising? I'd love to hear what's new with you. And if you'd like to share a snippit of your WIP, even better!


Oh, you mean besides watching Mad Men, Friday Night Lights, Burn Notice and... *ahem* - perhaps just once in a while if it happens to be on and I happen to be near the television - an episode or two of Wipeout?

Oh wait, that's right - there is more to summer than watching TV, cursing the endlessly hot and humid weather, and attending weddings.

So what have I been doing writing-wise?

Well, I've been querying. Last year at about this same time I started querying my urban fantasy, Between the Devil and the Deep Blue Sea. After getting some revision notes from an agent, I revised. Then I got even more revision notes and I revised again. Suddenly, it was May. Revisions were done, but I wasn't quite ready to jump back into that query pool yet.

However, in the last month something changed - maybe it was Wipeout that inspired - or should I say motivated - me?




Okay, I am not proud of that clip. In fact, watching it fills me with shame and guilty guilty guilty giggles.

So anyway, I am querying. But I have also been writing, because when you are querying you are supposed to start working on something new. And because I have had this idea - for a YA urban fantasy where a girl goes missing and after a year is found again but she has no memory of who she is or what happened to her - rolling around in my head for a long time now, and I needed to finally get it down on paper. Mostly though I have been writing because after a while I get sick of hitting the refresh button my email inbox.

I am tentatively titling my WIP Immortally Wounded. I'm just shy of the 10K mark so it's still pretty early, but here is a little snippet from the little that I have written so far.

****

The mom insisted on calling my memory loss amnesia. As if I were a character in a freaking soap opera. She thought I just needed the right trigger to snap me out of it.

It started with a picture quiz. I correctly identified the Gerber baby, but couldn’t place my own baby picture.

It got worse from there.

Ronald McDonald – yes. The clown from my fourth birthday party – no.

I easily named every character from Friends. My own best friend – “Such a nice girl,” the mom told me as if this telling detail might jog my memory – no recognition at all.

In the animal kingdom category I got Kermit the Frog, Lassie, and Dumbo all correct. But Here Kitty Kitty, the rather cumbersome name that I apparently gave my own dear cat at the age of five, didn’t come close to my guess of Snowball.

This game officially ended when I incorrectly identified a woman with iron gray curls and a closed lipped smile as Queen Elizabeth. Turns out that one was my Nana.

I was trying. Can I say that in my defense? The mom is a really nice lady. And she was trying to be really upbeat, chirpy even, but with every wrong answer on the picture quiz she’d deflate just a little bit. She tried to cover it. She’d pat my hand and tell me it was okay. She was always touching me – patting, rubbing, squeezing my hand, arm, or leg. And that’s when she wasn’t hugging me. That was okay too though. She was a good hugger. As soon as her arms wrapped around me there was that sensation like everything was going to be okay. This was the one thing that we had most in common – we both really wanted everything to be okay.

****

And that's it from me. Make sure to check out Shannon's post from yesterday and tomorrow you can find out what Amanda is up to.

Friday, July 23, 2010

Revision Me This

After a bit of time away, I am back for another round on the blog chain. Today's question is brought to us by Sarah who asked:

How do you handle revisions? Do you revise as you're writing, or do you wait until you've gone through beta readers and crit partners to revise? How soon after you finish do you begin your revisions?

Revisions. I have a love/hate relationship with revisions.

When I am writing the first draft I think back longingly to the joy of revisions. There are words on the page. Not always the best chosen words. Not always the correctly spelled words. But there are words and those words form sentences. Yes, several of them are egregious run-on sentences. It's a problem - I'm working on it. But there are sentences and they form paragraphs, which piled together make chapters, and those chapters - one stacked precariously on top of the next - form a story. Sort of. You know, once all those loose ends are tucked in, bad dialogue is deleted, and a few stray characters - whose names I forgotten and randomly started calling them something else - are rounded up and given one consistent moniker.

The thing is that there is something on the page to work with. Even if that something stinks like a diaper pail in July it is at least not a blank page staring at you daring you to write something that won't several months later be determined to stink like a diaper pail in July.

Of course, several drafts into revisions - when I've actually lost count of how many times I've actually revised the darn thing and start saving it as "BTDATDBS_REVISION#_SHOOT ME JUST SHOOT ME NOW"... well then I have moved onto the hate side of the relationship. No, not hate. It's more like the way I feel towards my three year old son at the end of a particularly whiny and difficult day. I love him, of course, I love him absolutely, but at that exact moment I am really sick of his face.

So how do I handle revisions? Well, I do not revise as I write. No, I prefer to handle my first drafts like a mad General marching through the wilderness on a moonless night. There are no flashlights. There aren't even any of those flaming sticks that they used to carry around on Lost all the time. And sure, I am most likely headed straight off a cliff, but I am determined to keep moving forward, because if I look back... well, if I look back and evaluate - or God help me, critique - then I might decide this march isn't worth marching at all.

The one sort of revision-ey thing I do while writing the first draft is occasionally make notes to myself about something earlier on in the manuscript that needs to be changed, due to something later on in the MS that went not exactly as I'd originally planned. These notes I'll usually tackle immediately after I finish the first draft. Technically I still consider these new additions as not really revisions, but as a finished touch to the first draft.

Then I let it sit. Usually a couple weeks. And during that time I'll read. Or I'll start brainstorming ideas for what I want to write next. Mostly though I'll start imagining that my first draft is better than I remember it being. Specifically I'll remember those few days when the writing was really flowing and everything seemed to be clicking. "Yeah," I think, "this book is gonna be good." And I start itching to do those revisions, which, of course, begins with reading my masterpiece.

Imagine then, if you will, my comically crestfallen face as I begin reading that word document holding my precious manuscript and realize that I might have a bit more work ahead of me than I had first realized.

This is the hardest part.

It's kind of like doing dishes after Thanksgiving dinner. Because I cook like I write. There is no cleaning as I go along. No, I simply pile the dirty pans and stirring spoons into the sink. And when the sink is full, they go on the counter next to the sink. Then by the time we've eaten and the leftovers have been put away - there are literally dishes everywhere. And I just don't even know where to begin.

Eventually though I just start somewhere. Maybe run spell check just to get rid of the errors so obvious even that annoyingly helpful Word paperclip can see them. Then I might print it out so I can see it on paper. This can sometimes backfire when major changes are necessary and I cross out large chunks, then using a series of brackets, asterisks, and long winding arrows, point to what should be moved into its place. Overall though, this method lets me see problems that I might not have spotted otherwise. As I enter these handwritten changes, I usually make even more changes still.

Then it's time for beta readers. My husband gets stuck with this job, because he lives with me and there is nowhere for him to run. But I usually round up a few other people as well. And since people have an annoying habit of reading at different rates of speed, the revisions don't all come in one batch, but slowly return to me one by one by one. This means that I usually end up doing revisions every time new feedback rolls in.

And then if it's ready, I start to query. But revisions don't stop and I never write the words - or even let myself think them - FINAL DRAFT. If a way to improve is pointed out in an agent's notes, or if I simply have an epiphany in the shower on how to improve something - then I'll go back and revise one more time. Even when I think that I cannot go back again, I always find that I do have that one more time in me.

So what about you? What's your revision process?

And if you want to read about revision methods a little less scattered than my own - check out the other blogs on this chain. Shannon came before me and you can find Amanda covering this topic tomorrow.

Tuesday, June 15, 2010

Where the Wild Ideas Are


Today's chain question comes from Shaun whose book, The Deathday Letter, you can (and should) buy right now just by clicking this link. Just think of it. That little purchasing high after clicking the buy button. And then the pleasure of knowing something will soon arrive in your mailbox that isn't a bill or an annoying advertisement for something you don't want. And on top of all that - you also get an awesome book. Win, win, win.

Okay, and now on to the question.

From where do you get your inspiration for stories? Give me the oddest, coolest, things that have inspired you.

Usually I start with a character as my jumping off point. My first novel had a heroine who was a telemarketer - a position I know personally and painfully well after a three month stint the summer before my freshman year of college.

My urban fantasy started with the idea of a main character who stole people's identities, and when she steals the wrong person's (or creature in this case - that's where the whole fantasy part comes in) identity, and people believe she actually is that person... well wackiness ensues. I think I was partially inspired by those great Citibank commercials about identity theft.



In the end that character changed while I was writing and I dropped the whole identity theft angle altogether, which is how it often happens for me. I'll start at one place, and end up in a completely different one once the story gets going and takes over things.

What about you - where do your ideas come from?

And for more blog chain goodness check out Shannon before me and Amanda directly after!

Tuesday, June 8, 2010

Motivation


I'm last in line this time on the blog chain, which is actually a pretty great place to be, because I get to read all the excellent responses of all the amazing writers who came before (with Shannon over at daily pie directly before me - definitely check it out.). Amanda brought us our latest question, and from what I have read it seems to be a question that is incredibly relevant to every writer's life:

What do you do to keep yourself motivated when you feel like you're not making any progress in your writing career?

Sitting down and stringing a story together word by painstaking word is not backbreaking labor, but it is hard. There are so many distractions and so many other things that are so much easier to do - like surfing the Internet, or reading a book, or watching TV, or picking your nose. I can - and have - burned away hours where I meant to be writing, but first I need to check out that shoe sale online or have a little Gmail chat and then - oops - the kids are crying, nap time is over, and the window has closed.

Honestly, for me, motivation boils down to two things.

One is habit. I always find it easier to sit down to write when I get into a daily routine. And I always find it more difficult after any extended break - whether that be weeks or days - to get back into it.

Two is how I make myself get back into it after those extended breaks. And how I do that is... well, it's the same way that I make myself climb onto the elliptical and sweat through thirty minutes of either the "cardio" or "fatburn" program three times a week. Or the same way that I make myself walk on by the Little Debbie and Krispy Kreme displays in the grocery store.

Okay, yes, just like sometimes I can't find the motivation to write, I also sometimes can't find the motivation to exercise or to resist the lure of mass-produced baked goods. But most of the time I do, and that's because I remind myself that denial of what I want in the now, will lead to greater rewards in the later. And whether that reward is being able to fit into my jeans or having a writing career - it all comes down to listening to that internal drill instructor.

You know what? I just realized there is a third part to staying motivated. I find that motivation goes hand in hand with inspiration. Now this doesn't mean I only write when the writing fairy comes and sprinkles her magical idea dust over me. No, that writing fairy is a fickle little witch. No, the inspiration I'm talking about is when you read something that reaches all the way inside of you and just kind of shakes you fully awake. It takes you inside and out of yourself all in the same moment.

I've recently come across two poems that gave me this feeling, and although they are both a bit long I want to post them both here. Maybe they''ll give you a little shake too.

The first poem was written by a man who was permanently paralyzed at age 12 by a bicycle accident. He has also written a memoir, "One More Theory About Happiness" which you can read an excerpt of here.

User's Guide To Physical Debilitation

From 'My Index of Slightly Horrifying Knowledge'

Should the painful condition of irreversible paralysis
last longer than forever or at least until
your death by bowling ball or illegal lawn dart
or the culture of death, which really has it out
for whoever has seen better days
but still enjoys bruising marathons of bird watching,
you, or your beleaguered caregiver
stirring dark witch's brews of resentment
inside what had been her happy life,
should turn to page seven where you can learn,
assuming higher cognitive functions
were not pureed by your selfish misfortune,
how to leave the house for the first time in two years.
An important first step,
with apologies for the thoughtlessly thoughtless metaphor.
When not an outright impossibility
or form of neurological science fiction,
sexual congress will either be with
tourists in the kingdom of your tragedy,
performing an act of sadistic charity;
with the curious, for whom you will be beguilingly blank canvas;
or with someone blindly feeling their way
through an extended power outage
caused by summer storms you once thought romantic.
Page twelve instructs you how best
to be inspiring to Magnus next door
as he throws old Volkswagens into orbit
above Alberta. And to Betty
in her dark charm confiding a misery,
whatever it is, that to her seems equivalent to yours.
The curl of her hair that her finger knows
better and beyond what you will,
even in the hypothesis of heaven
when you sleep. This guide is intended
to prepare you for falling down
and declaring detente with gravity,
else you reach the inevitable end
of scaring small children by your presence alone.
Someone once said of crushing
helplessness: it is a good idea to avoid that.
We agree with that wisdom
but gleaming motorcycles are hard
to turn down or safely stop
at speeds which melt aluminum. Of special note
are sections regarding faith
healing, self-loathing, abstract hobbies
like theoretical spelunking and extreme atrophy,
and what to say to loved ones
who won't stop shrieking
at Christmas dinner. New to this edition
is an index of important terms
such as catheter, pain, blackout,
pathological deltoid obsession, escort service,
magnetic resonance imaging,
loss of friends due to superstitious fear,
and, of course, amputation
above the knee due to pernicious gangrene.
It is our hope that this guide
will be a valuable resource
during this long stretch of boredom and dread
and that it may be of some help,
however small, to cope with your new life
and the gradual, bittersweet loss
of every God damned thing you ever loved.



David Rakoff's "Speak Now or Forever Hold Your Peace"

from This American Life #389: Frenemies. (I actually heard this before reading it, and hearing it read aloud was amazing - totally worth downloading the program on ITunes just to have a listen.)


Nathan, at one of the outlying tables,

his feet tangled up in the disk jockey's cables,

surveyed the room as unseen as a ghost

while he mulled over what he might say for his toast.

That the couple had asked him for this benediction

seemed at odds with them parking him here by the kitchen.

That he turned up at all was still a surprise,

and not just to him, it was there in the eyes

of the guests who had seen the mirage and drew near

and then covered their shock with a "Nathan, you're here.."

and then, silence, they had nothing to say beyond that.

A few of the braver souls lingered to chat.

They all knew...

It was neither a secret nor mystery

that he and the couple had quite an odd history.

Their bonds were a tangle of friendship and sex.

Josh, his best pal once, and Patty, his ex.

For awhile he could barely go out in the city

without being a punchline or object of pity.

"Poor Nathan" had virtually become his new name.

And so he showed up, just to show he was game,

though, his invite was late, a forgotten addendum.

For Nate, there could be no more clear referendum

that he need but endure through this evening and then

He would likely not see Josh and Patty again.

Josh's sister was speaking, a princess in peach.

Nathan dug in his pocket to study his speech.

He'd pored over bartlets for couplets to filch,

he'd stayed up until three, still came up with zilch,

except for instructions he'd underscored twice,

just two words in length and those words were: "Be Nice"

Too often, he thought, our emotions betray us

and reason departs once we're up on the dais.

He'd witnessed uncomfortable moments where others had lost their way quickly,

where sisters and brothers had gotten too prickly,

and peppered their babbling

with stories of benders,or lesbian dabbling,

or spot-on impressions of mothers-in-law,

which, True, Nathan thought, always garnered guffaws

but the price seemed too high, with the laughs seldom cloaking

hostility masquerading as joking.

No, he'd swallow his rage and he'd bank all his fire,

he knew that in his case, the bar was set higher.

Folks were just waiting for him to erupt.

They'd be hungry for blood even though they had supped.

They'd want tears or some other unsightly reaction

and Nathan would not give them that satisfaction.

Though Patty, a harlot, and Josh was a lout,

At least Nathan knew what he'd not talk about.

"I won't wish them divorce, that they wither and sicken

or tonight that they choke on their salmon or chicken.

I won't mention that time when the cottage lost power

in that storm on the cape and they left for an hour.

And they thought it was just the cleverest ruse

to pretend it took that long to reset the fuse.

Or that time Josh advised me with so much insistence

that I should grant Patty a little more distance.

That the worst I could do was to hamper and crowd her

that if Patty felt stifled, she'd just take a powder.

That a plant needs its space just as much as its water.

and that I shouldn't give Patty that ring that I bought her.

Which, in retrospect only elicits a 'Gosh,

I hardly deserved a friend like you, Josh'.

No, I won't spill those beans or make myself foolish

to satisfy appetites venal and ghoulish.

I will not be the blot on this hellish affair."

And with that, Nathan pushed out and rose from his chair.

and just by the tapping of knife against crystal,

all eyes turned his way, like he'd fired off a pistol.

"Mmmhmm, Joshua, Patricia, dear family and friends,

A few words, if you will, before everything ends.

You've promised to honor, to love and obey.

We've quaffed our champagne and been cleansed by sorbet,

all in endorsement of your ‘hers and his-dom’.

So now let me add my two cents worth of wisdom.

I was racking my brain sitting here at this table,

until I remembered this suitable fable

that gets at a truth, though it may well distort us,

so herewith the tale of the scorpion and tortoise:

The scorpion was hamstrung, his tail all aquiver;

just how would he manage to get across the river?

“The water’s so deep,” he observed with a sigh,

which pricked at the ears of the tortoise nearby.

“Well why don’t you swim?” asked the slow-moving fellow,

“unless you’re afraid. I mean, what are you, yellow?”

“It isn’t a matter of fear or of whim,”

said the scorpion,

“but that i don’t know how to swim.”

“Ah, forgive me. I didn’t mean to be glib when

i said that. I figured you were an amphibian.”

“No offense taken,” the scorpion replied,

“but how about you help me to reach the far side?

You swim like a dream, and you have what I lack.

Let’s say you take me across on your back?”

“I’m really not sure that’s the best thing to do,”

said the tortoise, “now that i see that it’s you.

You’ve a less than ideal reputation preceding:

there’s talk of your victims all poisoned and bleeding.

You’re the scorpion — and how can I say this — but, well,

I just don’t feel safe with you riding my shell.”

The scorpion replied, “What would killing you prove?

We’d both drown, so tell me: how would that behoove

me to basically die at my very own hand

when all I desire is to be on dry land?”

The tortoise considered the scorpion’s defense.

When he gave it some thought, it made perfect sense.

The niggling voice in his mind he ignored,

and he swam to the bank and called out: “Climb aboard!”

But just a few moments from when they set sail,

the scorpion lashed out with his venomous tail.

The tortoise too late understood that he’d blundered

when he felt his flesh stabbed and his carapace sundered.

As he fought for his life, he said, “tell me why

you have done this! For now we will surely both die!”

“I don’t know!” cried the scorpion. “You never should trust

a creature like me because poison I must!

I’d claim some remorse or at least some compunction,

but I just can’t help it; my form is my function.

You thought I’d behave like my cousin, the crab,

but unlike him, it is but my nature to stab.”

The tortoise expired with one final quiver.

And then both of them sank, swallowed up by the river.

The tortoise was wrong to ignore all his doubts —

because in the end, friends, our natures will out.

So: what can we learn from their watery ends?

Is there some lesson on how to be friends?

I think what it means is that central to living

a life that is good is a life that’s forgiving.

We’re creatures of contact, regardless of whether

we kiss or we wound. Still, we must come together.

Though it may spell destruction, we still ask for more —

since it beats staying dry but so lonely on shore.

So we make ourselves open while knowing full well

it’s essentially saying, “please, come pierce my shell.”


Sorry about wonky formatting - anytime I try to copy and paste into blogger it is a complete mess.

And to end this very long post - a question - How do you stay motivated?